Ten Years After Napster, Musicians Are Still Getting Screwed

Ten years ago yesterday, Napster revolutionized commercial music by – we’re all grownups; let’s call a spade a spade – democratizing piracy.

Without doubt, consumers in 1999 needed better access to music. They needed the opportunity to preview full tracks, to pick and choose songs from an album, and to have instant gratification through online downloads. And ten years later, consumers still have all those lovely perks. Napster ate it (thanks, Metallica!), but Kazaa sprang from its ashes. Then there was Limewire and its cadre. Due props to Apple for monetizing the system as it stood when the iTunes store came on the scene, but users are now ridiculously entitled about what kinds of readily available (a.k.a. easily stolen) files they are willing to pay for and their justifications for stealing media. Yet musicians, as much as they’ve tried to adapt, are still getting screwed by the Internet and their fans.

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